Known locally simply as The Priory, the ancient church sits on top of Castle Hill beside Lancaster Castle. It’s a very beautiful building, on a site that was once a Roman fort, old enough that archaeological investigations have revealed elements of a fifth century Saxon church incorporated into it.
The concert we did there, Pipe Dreams, was in support of the Pipe Organ Project, which aimed to secure lottery funding to replace the electronic organ in the church with a magnificent pipe organ, a Willis III dated from 1913, as well as a smaller pipe organ in the north chancel (both of which are now in place). It was one of many music events that took place there during the course of the project, which also strove to raise the profile of the Priory as a cultural space for the use of the entire local community, regardless of religious affiliation or lack thereof.
Pipe Dreams was organised by Project Officer (and good friend) Lucy Reynolds, and was a real community effort, with lighting provided by Izzi Wilkinson and fellow performing arts students from Preston College as part of a BTEC assignment, whilst some decidedly un-churchy friends of both Lucy and myself served tea and buns like an alternative, irreverent Women’s Institute.
It snowed heavily during the evening, which somehow added to the magic, and the children who were there (including my two) gleefully ran amok in a big pack outside, playing in the otherwise undisturbed snow on Castle Hill.
The music was very eclectic, with the jazz improvisation of Stephen Grew’s World Line Ensemble, songs and tunes on a variety of different bagpipes from Bill Lloyd, the singer-songwriting and piano playing virtuosity of Chas Ambler, and an abridged version of popular local band The Manfredis, featuring the amazingly talented Chele Stevenson (when she wasn’t serving tea!) on vocals.
Celia and myself finished off the night playing music by O’Carolan, some music composed by ourselves, and a variety of traditional tunes.
The Pipe Dreams concert, in the beautiful Priory with the snow falling outside, was a very special experience. The acoustics were amazing, with our flute and harp effortlessly filling the interior right up to the rafters.
It was such a privilege to be given the opportunity to play in such a beautiful, iconic local building.